A privileged tour of a lavish estate in Greenwich featuring an abundance of garden experiences - formal boxwood and undulating hornbeam hedges, dense woodland, reflecting pools, arbors and follies - and a ferme ornee offering organic produce to the community. Sleepy Cat Farm is the vision of one man, Fred Landman, who acquired the handsome Georgian Revival house and grounds in 1994. Deeply committed to the concept of harmony between house and garden, he has dedicated himself to the landscape to create a garden of which the house could be proud. Collaborating with Greenwich architect Charles Hilton and noted landscape architect Charles J. Stick and drawing inspiration from travels in Europe and Asia, Landman has done just that. The landscape unfolds in a series of garden rooms and pavilions, pathways and pools, statuary and staircases, trees, shrubs and flowerbeds, hillsides and vistas that change daily, monthly, almost minute by minute, as the visitor explores this undulating landscape of surprises, intrigue and unexpected beauty. Names were given to the various aspects: The Golden Path, the Grotto, The Iris Garden, the Spirit Walk, the Perennial Long Border Garden, the Pebble Terrace, the Woodland Walk. Buildings and follies were added, also with storybook names--the Celestial Pavilion, the Barn, the Limonaia, the Chinese Pavilion, the Cat Maze and Arbor. Down the hill from the main house is an working organic farm that supplies produce to the community, a project of Landman's wife, Seen Lippert, a professional chef who worked with Alice Waters in California before moving East. Landman and Lippert are committed to sharing the beauty that they have created. They are generous in opening the property for charitable events and tours of gardeners and horticultural enthusiasts, particularly through the Open Days program of the Garden Conservancy. As Landman says, One of my greatest joys is when other people come here and get to experience what I experience every day. The most important thing is that they leave happy.

Born into a poor family in Ecuador, Pancho Segura was an undersized and undernourished kid working as a ball boy at an exclusive tennis club when he first picked up a racket. "Little Pancho" is the story of how this improbable athlete, with his bandy legs, infectious smile, and unorthodox two-handed style of play, became one of the greatest and most beloved tennis players of all time. During his twenty years in pro tennis, general audiences appreciated his spirit as a master entertainer, while tennis fans adored him. Drawing on interviews with many in the game who knew or admired Pancho, Caroline Seebohm provides a close-up picture of the unlikely pro as his career first emerged in Ecuador and then developed further in the United States during the 1940s, where he broke down social and political prejudices with his charm, naturalness, and brilliance on the court. "Little Pancho" follows Segura from the University of Miami, where he won three consecutive NCAA championships (still a record), to his time on the U.S. professional tennis tour. On the pro tour of that time, Segura and his fellow players struggled to earn a living and find acceptance in the traditional, sometimes elitist tennis world, which scorned "professionals" as outcasts. "Little Pancho" shows us Segura when he quit the professional tour to become a coach at the Beverly Hills Tennis Club, working with movie stars such as Charlton Heston, Barbra Streisand, and Lauren Bacall. And finally, we hear for the first time from some of the later champions Segura coached, including Jimmy Connors. This history of tennis in the midcentury also is the inspiring story of how one poor Latino kid, through sheer grit, grace, and talent, changed the face of the sport forever.

From child of the South to modernist master "Seebohm brings her exceptional gift for storytelling to the life of this important but underknown American artist."--Graham Boettcher, William Cary Hulsey Curator of American Art, Birmingham Museum of Art "A fascinating story. It is also the history of the intense struggle between figurative and abstract sculpture in mid-twentieth century art, a struggle that still continues to this day."--Edwina Sandys, artist and winner of the United Nations Society of Writers and Artists Award for Excellence "Brings together all the unique chapters of Ann Norton's life. Seebohm is not afraid to share with the reader Norton's disappointments, successes, and her final legacy."--Cynthia Palmieri, executive director, Ann Norton Sculpture Gardens, Inc. In 1929, the Museum of Modern Art opened its doors, showing the astonishing paintings of Picasso, Matisse, and other avant garde artists. Young American artists quickly responded by experimenting with impressionism, cubism, and abstraction.
In "Monumental Dreams," author Caroline Seebohm tells the riveting story of how Ann Norton (1905-1982)--a child of the South who had eschewed her Alabama roots to become a sculptor in New York City--joined this new guard. She studied with John Hovannes and Jose de Creeft and was studio assistant to Alexander Archipenko. Her work was well received, and by age 35, she had already participated in group shows at MOMA and the Whitney Museum of American Art.
Despite her burgeoning career, Norton found New York a difficult place to live. In search of paying work, she moved to Florida, where she became a teacher at the Norton Gallery and School of Art, founded by retired Acme Steel president Ralph Hubbard Norton. The two built a relationship based on love as well as common aesthetic values, and after his death, she built her finest and lasting work. Today, her monolithic sculptures--in the spirit of Stonehenge, Henry Moore, and Buddhist temple art--can be admired in the Ann Norton Sculpture Gardens in West Palm Beach, Florida.